Studio Albums
Official Singles
Promotional Singles
Extended Plays
Buzz Singles
Compilation Albums
Throughout the course of his career in music, Céran, an award-winning, critically-acclaimed, and global-selling singer-songwriter, pianist, guitarist, keyboardist, composer, arranger, orchestrator, record producer, and recording artist, has consistently drawn comparisons—for his vocal eccentricities, poignant lyricisms, and unique overall artistry—to the greatest creative runs from some of the greatest artists in popular music history, including, Thriller-era Michael Jackson, Purple Rain-era Prince, as well as Stevie Wonder's "Classic Period." Céran is known for his powerful, extensive three-octave vocal range that has been likened to old soul greats such as Donny Hathaway, in addition to D'Angelo and Seal, and Céran's musical diversity and eclecticism has culminated in the birth of his distinct, signature sound which has been dubbed by critics as a mark of an "international crossover artist." Céran has written, composed, and recorded countless ballads, mid-tempo selections, and up-tempo numbers—ranging from Pop, R&B, Gospel, and Neo-soul to Funk, Reggae, Kansas City Jazz, and St. Louis Blues—in five languages (English, French, German, Louisiana Creole, and Spanish), typically performs the entirety of the instrumentation on his recordings, and prides himself in delivering timeless, quality music album after album. Furthermore, for all four of his full-length studio albums, three compilation albums, and two additional Extended Plays (EPs) to date, Céran has accrued 2,000+ streams and record sales in 50+ countries globally and in all six of the habitable continents of the world. Moreover, each of Céran's first four singles, all of which he single-handedly wrote, composed, orchestrated, and produced, on the Clap Charts app (including the post-disco vocal duet "Love Is Found" (with Samara) (no. 3), the French-language chanson ballad "Encore Une Fois" (no. 3), the bluesy/rock 'n' roll "Troubled Heart" (no. 4), and the Pop/R&B vocal ballad duet, "Noble Fool" (also with Samara) (no. 10)) have each bowed and peaked within the Top 10 of the charts. Additionally, Céran has been in the Top 10 of the ReverbNation Pop Charts for the Kansas City, Missouri metropolitan area for several years.
"'The Occident' [very well] could be considered the high point of the album, working boogie elements into an up-tempo house track. Meaty bass synth lines and over-the-top orchestral hits contribute to make this cut a future dance hit. Céran is free and fierce on this selection, picking up on Michael Jackson's vocal flair during the song's conclusion with a stellar chord progression and killer vocal harmonies."
- Jason Randall Smith of Mount Vernon, NY (Review You CD Reviews)
"The eleven-track release [Céran's debut studio album, The Art of Céran] showcases Céran's latest musical creations with a powerful voice, danceable beats, and a soulful, yet humble, swagger."
- Matthew Forss of Omro, WI (Review You CD Reviews)
"'Reality's Reverie' convincingly shifts the focus to '80s R&B, the song's elements handled with a delicate touch. Harp plucks and synthesizer sheen are sprayed over electronic drum sequences, complete with a tender-voiced guest rap [performed by TFitz] and apropos Top 40-phrased lyrics."
- Jason Randall Smith of Mount Vernon, NY (Review You CD Reviews)
"'All That You Want Me to Be' ends The Art of Céran on an appropriately anthematic note, as Céran offers a series of caressingly beautiful insinuations - all without ever losing his grip on the song's broader theme."
- Nick DeRiso of New Orleans, LA (Review You CD Reviews)
"'Change for Me' begins with a good dance beat, atmospheric pads, and swishy percussion that sets the mood in an upbeat manner. The keyboard embellishments are punchy and static-driven, which are characteristic of early dance tunes from Eastern Africa and pop music from the 1980s. At any rate, Céran's vocals are rather mature and varied on this track with a good degree of soul, R&B, and electronica."
- Matthew Forss of Omro, WI (Review You CD Reviews)
"Original compositions like 'Encore Une Fois' and 'Amaré Otra Vez' are where things really start to get interesting [on Céran's sophomore studio album, Verity]. Not only do they show that Céran knows his way around foreign languages, but they also display an understanding and respect for global musical idioms. The vibrant piano melody featured on 'Amaré Otra Vez' skips through an upbeat Latin rhythm while Céran dusts himself off from heartbreak, looking ahead to a future love. The cover of 'Somos Novios (It's Impossible)' is damn near the showstopper of the album as he interprets the piece with passion and boldness, emerging as an honest-to-goodness balladeer before it's all over."
- Jason Randall Smith of Mount Vernon, NY (Review You CD Reviews)
"'Open Road' begins with a piano melody, piercing keyboard washes, and Céran's soulful vocals leading the charge. The symphonic keyboards add a touch of classicism to the already classic track that is steeped in jazzy soul, R&B, and contemporary piano pop. The vocals vacillate with an inner beauty that is professional and unforgettable at the same time. This is not one of the dance tracks as the symphonic keyboards and soulful vocals add a touch of romanticism and introspection."
- Matthew Forss of Omro, WI (Review You CD Reviews)
"Céran adds a more diverse repertoire of instruments, beats, and vocals on his latest release, Verity. The album contains twelve new tracks mostly written, composed, arranged, orchestrated, sung, and produced by Céran. The music contains elements of jazz, soul, gospel, rock, pop, new age, classical, R&B, and electronica. The songs are rather contemplative, diverse, and multi-layered with infusions of many genres. The entire project seems to work flawlessly."
- Matthew Forss of Omro, WI (Review You CD Reviews)
“'R&Bop,' the marriage of R&B and Pop, is
not always satisfying. It sometimes more
closely resembles just the powdered cheese, without the macaroni, butter, or
milk, and frankly, that’s more of what I hear on the radio these days than
not. Then, of course, there are the
modern groove-masters that fill us all up, one tune after another—which is
exactly what happens on Live, and Let
Love, Céran’s most recent album. Neither Céran, nor the album itself, need to justify the R&Bop hues,
or even the fact that most of the songs have a similar instrumentation
backdrop, because frankly, Live, and Let
Love just makes the listener feel good. At least this listener. We need
more ‘feel good’ in this world; the proof there’s something worth letting
ourselves love."
- Alice Neiley of Burlington, VT (Review You CD Reviews)
“'Feelin’ Lucky' [on Céran's third studio album, Live, and Let Love] is a dramatic accomplishment as many artists have trouble managing ballads and up tempo songs. This song breathes a vigorous life back into you after having slowed down from the song before. The aim is so accurate, so true, that you know exactly what he came to do with this song. To me, songs like 'Feelin’ Lucky,' 'Risk It All' and 'Love Is Found' encapsulate Céran at his best; full of emotion and the ability to carry out his intentions to the letter."
- Charles Sweet of Stone Mountain in Greater Atlanta, GA (Review You CD Reviews)
"Many R&B lyrics of the 21st century have favored a very raw, in-your-face sexuality. But Céran's songs [on his third studio album, Live, and Let Love] tend to be romantic in an earnest way. And that holds true whether he is performing at a fast tempo on "Love Is Found," a comfortable medium tempo on "It's You" and "Void of Words" or is offering ballads that include "Risk It All," the title track, and "Noble Fool" (a male/female vocal duet with singer Samara). Céran isn't just saying, 'Baby, I want to sex you up': his perspective is decidedly romantic."
- Alex Henderson of Philadelphia, PA (Billboard, All Music Guide)
"Live, And Let Love begins with 'An Ode to Life and Love,' an introduction that sets the tone with a clear and purposeful understanding of it being just a teaser to what Céran has to offer: The pad and bass driven song—although only about a minute in length—caught my ear due to the complex melody that was able to be displayed in such a short amount of time. “Break Free” is progressive in that it isn’t the standard fare for R&B. The song is not hollowed out or over-calculated; it is full-bodied, professional and on track the whole way through. I enjoyed how deep Céran is able to go (especially in verse two) and bring the listener with him."
- Charles Sweet of Stone Mountain in Greater Atlanta, GA (Review You CD Reviews)
"'Encore Une Fois' begins with an atmospheric wash, which heads right into a flowing, European-like piano melody. Céran sings in French on this song. The soft vocal ballad is quite melancholic, but diverse. Céran's French background shines on this track. A variety of symphonic washes, swishy percussion, and string-like accompaniment solidifies the track as a Francophone masterpiece."
- Matthew Forss of Omro, WI (Review You CD Reviews)
{Acts 17:24-28}